This year’s Mushroom City Art Festival hosted in connection with Bloom Baltimore is online!! That means you can attend from wherever you live. Head to their website to register and see the schedule. October 1-4, beaming to you from Baltimore on the East Coast of the U.S.
At Mushroom City Art Festival, you can experience mushroom foraging, nature art trail walks, lectures, live music, all ages art workshops, interactive art installations and more!!
Sculptures, paintings, film, and music inspired by this mysterious mycelial life form will be featured alongside hands on workshops and educational discussions revealing the many real world applications for mushroom cultivation in contemporary urban life. Mushroom City is also a space to build community aligned with and beside the wonders of our natural world.
This year’s festival theme:
“Reciprocal restoration is the mutually reinforcing restoration of land and culture such that repair of ecosystem services contributes to cultural revitalization, and renewal of culture promotes restoration of ecological integrity. Based on the indigenous stewardship principle that ‘what we do to the land we do to ourselves’ restoration of land and culture are inseparable. This approach arises from a creative symbiosis between traditional ecological knowledge (TEK) and restoration science, which honors and uses the distinctive contributions of both intellectual traditions. Reciprocal restoration recognizes that it is not just the land that is broken, but our relationship to it. Reciprocal restoration encompasses repair of both ecosystem and cultural services while fostering renewed relationships of respect, responsibility, and reciprocity. All flourishing is mutual.” Dr. Robin Kimmerer ∞∞∞∞∞∞∞∞∞∞∞∞ #mushroomcityartfestival#mushroomcityvirtualartfestival2020#plantmedicine#reciprocalrestoration
by Flávia Gonçalves Macêdo reposted from Bloom’s member forum
Dear all, I would like to ask a little space and support to share two projects I am involved in and really proud of and also to share a bit of my story.
I am Flávia, from Rio de Janeiro, Brazil and I am the co-founder of an NGO called Educar+. I first joined it in 2017 when it was just a social project where we gathered a bunch of books, volunteers, and kids from favelas. I was driven there by my intention to make a difference in the lives of children of color like me but who did not have the opportunities I had; and also because I did not grow up in a favela so I knew nothing about the reality of their experiences to judge or propose any solution, I needed to know it up close.
So I did, I went there and expanded my bubble. I came to know a childhood completely different from mine, with harsh and violent realities, with many ‘I can’t’ and ‘I don’t want to’ but with a lot of cleverness, joy, and rhythm. It was all very physical, precocious, and real, there was little room for fantasy and imagination.
That’s why I started as a volunteer reading books, then I came back with my own stories, then I created the elephant Tobias and the magical world of Elefantópolis, then I gave an audiovisual workshop and encouraged them to create their own stories, and more recently, during the pandemics, we’ve developed a Game with virtual pedagogical support. Here are some photos of me during this journey ( https://www.instagram.com/p/CFqHmQAJcO0/?utm_sou… ).
Last week we registered as an NGO, it was a great achievement as we are a group of young women with a lot of willingness to give our best to our communities and presenting other perspectives of future for our kids, but with no business background. Our fundraising has been always punctual with donations of goods and services by our volunteer network. And to change that we are doing our first crowdfunding to support the work of two of our women leaders, they also live at the favela and are more actively working with the kids, and also to support the completion of the Game with have developed.
The proposal of this Game is to develop self-directed learning tracks as we go through four main topics (self-knowledge, citizenship, environmental consciousness, and futurism). So each kid has their own tutor, who presents content and challenges around the topic, then kids are rewarded in a social currency as they complete the challenges. They are introduced to a monetary system that is abundant to them and circulates only within the community, and through it, they can have access to goods and services from local entrepreneurs. The main goal of the Game is to provoke questioning ( who they are, how they behave as a community, how their community is interacting with Gaia, and how are we designing our future) and to tricker their curiosity and encourage self-learning practices.
That’s why I am here, to request support in our Game’s crowdfunding ( benfeitoria.com/GameEducarMais ). There are only 2 DAYS LEFT until the end of the campaign so I am currently talking to everybody about it on a last attempt to get closer to our goal. And as an international community, your contribution may have a multiplication power as our Brazilian currency is so devalued.
Besides the beauty of the work we’ve been doing in Educar+, this crowdfunding is additionally special because the contribution made can be reimbursed in a social currency called MUDA. It’s also the currency that is rewarded to the kids and circulates in their local community and a project I am also part of.
Muda is a network created by a group of artists, teachers, hackers, and dreamers that has it’s own non-convertible social currency and seeks to encourage cultural, educational, and socio-environmental actions (such as Educar+) by experimenting with alternative economies based on joy and abundance. We have more than 700 users in our blockchain platform and more than 100 offerings from various places in Brazil.
Here are both projects’ Instagram, which is our main communication platform.
Unfortunately, most of our communication is in Portuguese. I am really starting now to communicate these projects throughout the globe.
But if anyone is interested in knowing more about any of the projects I would love to talk about them and clarify any question. I am already grateful for the attention and any support that might come from this post.
One of my dreams is to be able to find amazing music and art through Bloom Network. I don’t know how common this is, but I find it difficult to find music with lyrics I can relate with. At the same time, I love pop music and how tight the production is. So, I’ll start sharing some of the music I’ve found that feels related to Bloom(ing).
I like to listen to traditional music from all over the world, and hear the land and culture and cosmovisions expressed through it. I’m an ex-classical pianist and have released a couple of very weird records as a vocalist with electronic sample artist Wobbly. As an extended technique vocalist, I appreciate hearing the different vocal styles innovated across the globe over time. It’s infinitely inspiring to be part of Bloom Network and learning from people all over the world about the creative healing work they do in their communities. My love for Earth is connected with the way I listen to music. My intention here is to share that love with you.
To kick off this series, here are three artists whose lyrics send me, and a gorgeous instrumental album of music from Iran and Syria:
Bio: Born I is a Ghanaian-American rapper, known for his work as a multi-genre artist. He has created a catalog of music that includes several Hip Hop, EDM, House Music and hybrid releases. Serving an audience with big ears, Born I’s lyricism and positivity resonates with fans across the hip hop and electronic music spectrums. His songs have been noted by Diddy, and he is a frequent collaborator with top electronic artists. His vision of “unity through art” is what pushes him to constantly break down genre barriers in the music industry. Born is also a mindfulness practitioner and teacher and he incorporates those themes into both his life and his music.
Bio: William Padilla-Brown had the opportunity to grow up traveling, living in England, Taiwan, Mexico, New York he now is back in his hometown of New Cumberland, PA. He is a social entrepreneur, citizen scientist, mycologist, amateur phycologist, urban shaman, poet and father to his beloved 3-year old son, Leo. Leaving high school at age 16, Will pursued a non-traditional, independent approach to learning and actively promotes alternative education. He holds Permaculture Design Certificates from Susquehanna Permaculture and NGOZI. In 2014, he established Community Compassion, a nonprofit focused on radical sustainability, based in New Cumberland, PA. In 2015 he founded MycoSymbiotics LLC – a mycological research and mushroom production business. He has raised over 30 types of mushrooms and 6 types of algae. He is driving mycological research in the areas of food production, mycoremediation, and medicinal value. Will educates children and adults alike about topics ranging from nutrition to mushroom cultivation, having led workshops and various programs all over the country. Will is proud to be a contributing editor for Fungi Magazine, the foremost Mycological periodical.
Citadella was written as a universal call for peace, love and hope. Inspired by the Citadella Monument in Budapest Hungary. The Citadella sits high on a hill, overlooking the cities below as a guardian- calling out for peace and as a reminder for all those who gave their lives for freedom, independance and the prosperity of Hungary. The frequency of true love is as hopeful as The Spring. Yet love can be bittersweet as the complexities of being human obscure this simple truth. When we are able to find Harmony, it amplifies and strengthens the frequency of love- sending the vibration out to the earth to break down conceptual walls, allowing us all to see with the eyes of compassion and unity. The complete heart begins with a simple wish… to love.
Bittersweet the telling, Love so true Untold. Rising through the Sapling, Commence the Spring of Hope.
Ojala Primavera La Guardia Citadella El Corazon completo Llego de un deseo Hopefully by Spring, The guardian Citadella- The complete heart, Arrives with a wish.
Two tones design the harmony, One left, and one on right. Reverberating Frequency Pass through the walls tonight.
Ojala Primavera La Guardia Citadella El Corazon completo Llego de un deseo
The Yaima Music Project is a Cascadian Folktronic Duo based in Seattle WA (2014-Present), featuring Multi-Instrumentalist & Producer Masaru Higasa and Vocalist Pepper Proud. They’ve often been described as timeless and unmistakable, offering a balanced synergy of both the masculine and feminine expression. Their melodious soundscapes showcase instruments from all over the world. Inspired by the Majesty of Nature, their musings encompass the listener with driving and revitalizing organic rhythms, transcendent electronic production, warm soothing female vocals and heartened lyricism. Their intention is to create a bridge between Nature and Humankind, an expansive experience that encourages growth and graceful passage for the hearts and minds of their listeners. The name YAIMA emerges from two sources: one from the Mapudungun language meaning “that which water runs through” and the other from the culturally preserved Yaeyama District of Okinawa Japan. Over the last 5 years YAIMAs music has been reaching the ears and hearts of listeners from all around the world.
“Quieter than Silence” is an international, multicultural, independent project of the Roots Revival Cultural Association.
“Quieter than Silence” was born from a story of friendship, beyond stereotypes and political conflicts, between an Iranian – Mehdi Aminian and a Syrian – Mohamad Zatari in Bucharest. The project grew, when Leila Soldevila Renault (France), Behnam Masoumi (Iran) and Zabih Vahid (Iran) accepted the invitation to join them.
“Quieter than Silence” is rooted in Syrian, Persian and Sufi music cultures, applying various rhythmical and timbral elements throughout the process. This makes it a unique artistic repertoire and difficult to attribute to any particular geographical identity.
The ongoing conflicts around the world and the current tragedy in Syria in particular, contemporary existential issues, mystic Sufi literature and poetry, and the various musical traditions from around the globe are the main inspirations in this album and its new approach to composition, rhythm and melody. Musically, it is a synergy between different instruments including ney, setar, oud, kamancheh, percussion, double bass and vocal.
“Quieter than Silence” is not a political statement, rather an aesthetics response to the current political climate.
This album is a dedication to the wandering Syrians, who are suffering from distress and grief. It is a compassionate gesture and a protest against all the empty noise in the world.
Why “Quieter than Silence”?
What is this metaphor we call silence? In our music, silence does not want to abstain from utterance. On the contrary, it wants to render the intentional or imposed state of muteness on the way to universal consciousness and to sublime awareness. This music intends to create a space beyond silence (“Quieter than silence”), of the complete dissolution of speech. Speech that has been emptied of meaning in an ever noisier and aggressive world. A world where less than ever is being done to revive the human dignity trampled under never ending consumerism, wars, conflicts, nationalism and their consequences. This is an era where words and communication have lost their primary function.
This project makes the symbolic journey of returning to nothingness, a tabula rasa of existence in order to invest sounds with a new creative power, worthy of dialogue.
Bloom Network’s ECO (executive creative officer), Magenta Ceiba, was recognized as one of this year’s Top 100 Marketing and Advertising Leaders, by MADcon, a global gathering of brilliant minds that are passionate about marketing.
This has been a team effort developed over thirteen years of relationship-building, creating, and sharing with each other as an international network. Many talented designers, artists and marketing brains have contributed, including:
as well as many local Bloom organizers whose events, art, and networking expertise connecting different social movements in their regions, all contributed to our collective sense of aesthetic and communications strategy. Together we hope to help match the huge public interest and need there is for regenerative solutions, with the tens of thousands of initiatives around the world who have been building them for decades underground and in tiny pockets of subculture.
It’s clearly time… to Bloom!
You can participate in the fun by becoming a member of Bloom as we develop our cooperative approach to this, or by contributing a donation to help us get started. While we have our strategy dialed in, we haven’t yet lept through the portal to our first round of funding to help this all pop off. Once we start having budget for staff, you will experience the most wonderful monkeywrenching marketing alternative that the world is thirsting for.
Like dropping a pebble into a pool, the actions you take every day to make the world a healthy place ripple out into your communities. Bloom’s logo is an illustration of the interconnectedness of our relationships with one another and our surroundings.
It’s also a wi-fi symbol on its side, signifying peer-to-peer relationships for sharing wisdom and resources together.
We don’t have an app yet, but eventually there will be a touchable Tracer icon, beckoning you to press the Bloom button to play a real-life story and watch it come to life around you. Everything about Bloom’s “brand” presence is designed to connect you with communities in real life who are making our towns and the planet more wonderful, nurturing places to be.
Stay tuned to read about our process of designing the logo!
In New Zealand, in the small town of Whangarei (“Farn-ga-ray”) fabric rescuers are taking on the waste headed for landfill from second-hand stores.
The local Salvation Army Op-shop* receives roughly 3 wool bales of donated clothing a day. Even with a good crew of volunteers it’s impossible for them to process and sell everything, so the staff are selective with what will go to the shop floor.
Any item that needs to be ironed, washed or mended generally does not make the grade and is assigned to landfill. This means that good quality fabric is being dumped because it is too time consuming to work with. This store alone currently sends a skip to the landfill every few days – most of it textiles. This one store spends tens of thousands a year in dumping fees!
Intercept to the rescue! ‘Intercept’ volunteers literally intercept the skips heading to landfill and rescues fabric and clothing that is good quality, but needs attention.
With a small band of sorters, and seamstresses these items are reworked into spectacular garments or made into ‘t-shirt yarn’ for XL-crochet which will be sold within the Salvation Army store. Other clothing with life still in them are gifted out into the community, .
Cooperation between the store and Intercept is going well. The store has given a work room within the building and space and shelving on the dock for rescues and sorting to happen.
“Anything that I can do to help reduce our spending on landfill is good for everyone,” says store manager, Nick Garforth.
“We want your fingers!” says Jenny Hill, at the first official Intercept meeting. 17 volunteers are there. Jenny is a founder of Intercept and is referring to the ability of knowing quality fabric by touch. This is a skill I personally have, passed on through the mothers of my maternal line (my great-great-grandmother worked the cotton mills in the Manchester area at the end of the 18th Century). Until now, I didn’t appreciate this knowledge is not common. I’m proud to be a sorter for Intercept!
Watch: video sharing work of Intercept
In the weekend I joined a fellow Intercepter at the local “Children’s Day”. We set up a stall to give intercepted clothes away. We took 18 banana boxes and by pack up time, three hours later, all but one were empty. All of these clothes would have gone to landfill, but instead have been recirculated in the community.
We definitely encourage you to think about starting something similar in your town, to slow fast fashion and become more regenerative in our clothing choices. Also, it’s really smart to check in with charity shops what they accept (generally clothing that can go straight on to a hanger to sell), as sending them items which contribute to landfill costs is doing the opposite of helping people.